One of the world’s greatest artists deserves the world’s biggest stage: LEMPICKA comes to Broadway, following critically acclaimed, sold-out runs at the Williamstown Theatre Festival and the La Jolla Playhouse. From the Tony Award®-winning director of HADESTOWN and starring Eden Espinosa, this New York Times Critic’s Pick is a sweeping musical portrait of a woman who changed art and culture forever.
Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, LEMPICKA boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.
“Eden Espinosa has finally found a part to match her high-voltage talent in this rousing, surprising, intricately shaded portrait of a conquering heroine.” The New York Times
“A singular boldness pulses through LEMPICKA, a musical that’s as ambitious and complex as the painter it frames onstage.” The Los Angeles Times
It’s fitting that the musical named for her wages a similar battle as it unfolds at the Longacre Theatre. An uneven, exposition-heavy book by Carson Kreitzer and Matt Gould, and an industrial set by Riccardo Fernandez, are the show's more mechanical elements. But superb lighting design by Bradley King, an eclectic and electric score, and captivating performances are the pulsating flesh and blood that ultimately render Lempicka’s flaws like stray paint specks on canvas: keeping the work from “perfection,” maybe, but not ruining it. Ultimately, Lempicka is ravishing — and one of the best new musicals this season.
The result is a musical that sometimes embraces campiness and sometimes falls flat into camp, especially when it skirts melodrama: When kohl-eyed chorus boys, repurposed as brownshirts, violently raid Solidor’s queer bar—and then the show cuts to a wild-eyed Beth Leavel belting “It’s the end of time!!” straight at the audience—I challenge you not to giggle. And where in time are we supposed to be, exactly? By this point in the show, Lempicka seems to have abandoned history entirely: Why is the futurist Italian painter Filippo Marinetti (an emphatic George Abud) leading what appears to be a police raid in Paris in the 1930s? It doesn’t help that another musical in town right now, Cabaret, depicts queerness and fascism with a great deal more depth.
Digital Rush:
Price: $44
Where: https://rush.telecharge.com/
When: 11am on the day of performance.
Limit: Two per customer
Information: Subject to availability.
Digital Lottery:
Price: $35
Where: https://rush.telecharge.com/
When: The digital lottery opens at 12AM ET one day before the performance closing at 3 PM the day before the performance. Winners are drawn at 10AM ET and 3PM ET that same day.
Limit: Two per customer
Information: Winners will be notified by email shortly after each drawing and have six hours to claim and purchase tickets online. Tickets will be emailed. While every effort will be made to seat pairs together with a full view, there is a chance that pairs may be split up and that your seat may have a partial view of the stage.
2024 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama League Awards | Disinguished Performance | Eden Espinosa |
2024 | Drama League Awards | Distinguished Performance | Amber Iman |
2024 | Drama League Awards | Outstanding Production of a Musical | Lempicka |
2024 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Amber Iman |
2024 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Eden Espinosa |
2024 | Tony Awards | Best Scenic Design of a Musical | Riccardo Hernandez |
Videos